Features one channel and two inputs; volume, bright, treble, treble expander, bass, bass expander, bright switch, deep switch, stand-by switch, pilot light for stand-by and operate. This amp was built to play larger halls and outdoor concerts. The lack of reverb was not a big issue as most live performances had acoustics full of reverberation halls, arenas. Peter Traynor built these things to stand up to road abuse, unlike a lot of vintage stuff. It sounds great with either bass and guitar, providing a clean and loud tone. Works great in large club settings. Front panel has two input jacks, controls for treble boost, volume, treble expander, treble, bass expander, bass, presence, and bass boost. There is also a standby switch and corresponding green and red pilot lights. There are no effects in this head, but stomp boxes work just fine. The front of the amp is wrapped in a Fender-style silver-face cloth [
20 Most Recent Ampeg BA 1×12′ Bass Combo Amplifier Questions & Answers
This com- pact yet dynamically powerful bass amplifier delivers a sear- ing watts of unsurpassed quality, offering the classic vibrance of tubes as well as contemporary features. We rec- ommend that you go over them before you use the amplifier. Below are some of the outstanding fea- tures of your new amplifier – features which set it apart from the competition!
Take your pick from the five cen- ter frequency points available to get just the right midrange voice page 3.
Ampeg Classic SVT HE bass cabinet aka The Fridge Nothing sounds like this cab, it has its on signature , round, and beastly Features-4x 10s, 1 x 15, and a horn. I have a large piece of black tolex I can throw into the deal so you can recover the backside yourself.
The book contains, in addition to an in-depth history of the Ampeg company, more useful technical information on the variations in Ampeg amplifiers, including color depictions of the various cabinet coverings and grill cloths. Click here for information on ordering this book directly from the authors. Dating Ampeg Amplifiers Ampegs can be divided into six distinct groups for dating purposes: Each group uses a unique serialization scheme that can be used to assist in dating the amps, but in many cases, it is the features and characteristics of the amps that determine the year of manufacture.
Electronic Industries Association EIA codes can also be very useful for giving clues as to an amp’s age. These codes can be found on speakers, transformers, pots, capacitors, and multi-section electrolytic"can” caps. Of course, these codes are only applicable to original components, not replacement parts. Ampeg amplifiers, especially the high-powered amps such as the SVT and V-series, contain lethal voltages even when unplugged and turned off.
Therefore, do not poke around in your old Ampeg if you are unfamiliar with amplifier electronics or their operation. A brief summary of the EIA system follows. Shortly after World War II, American electronic component manufacturers began to stamp a semi-standardized code into the parts they produced. The code contained information regarding the manufacture and date of production.
Chris’ Guitars, on sale, best price on the web
If you’re not familiar with my site, it’s simple, and you’ll love it or hate it: It’s not a fancy site but it remains unchanged since ’98 and I firmly believe,"if it ain’t broke – don’t fix it. Just click on any underlined text and it should open a picture; if you move your cursor over the pic and there’s a magnifying glass displayed instead of your cursor, click the pic and it will expand it to larger size.
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Tuesday – Saturday 10am – 6pm Sunday – Closed Online 8 days a week! If you have any questions regarding payment please ask. The shipping price you are charged covers transit, insurance, proper packing, and tracking. If you prefer another shipping method please let us know so we can accommodate your needs. In the event of damage in transit we will help facilitate a claim with the shipping company to ensure full refund.
Returns We offer a 72 hour approval period on all guitars, amplifiers, and pedals from the date of purchase for in store transactions or date of delivery for internet orders. In the event of a return the buyer pays all shipping and insurance costs and any other fees associated with the transaction. All returns must be approved by phone or email and must be returned in the exact condition they left our store. For logistical reasons we are unable to extend our 72 hour return policy on any transaction involving a trade, both in store and online.
Unauthorized returns will be refused and returned at customer’s expense. We strive to earn your business.
Ampeg SVT III PRO > Amps & Preamps
Had new power cable and new handle installed, faulty tube replaced and broken tremolo brought back to life. This amp sounds beautiful and is surprisingly light for its size. Vintage item in excellent shape. Local pickup only unless you are willing to pay to have it professionally packed and shipped from UPS store Cts pots date and This is a mid gen circuit with greenie cap.
Oct 16, · Shopping for Ampeg stack; If this is your first visit, My choice is Ampeg SVT-3PRO. For the cabinet, limiting factor is weight (90 lbs is max). for a 4×10 configuration, that leaves me Is that Cherry Burst or Honey Burst? If you don’t know, post the serial number and someone from EBMM will look it up and post the birthdate and color. It.
A Fender Vibralux twin, and a Ross 40w, both with 12" loudspeakers As said, guitar amplifiers are manufactured in two main forms. The"combination” or"combo” amplifier contains the amplifier head and guitar speakers in a single unit which is typically housed in a rectangular wooden box. The amplifier head or"amp head” contains the electronic circuitry constituting the preamp, built-in effects processing, and the power amplifier. Other jacks may also be provided, such as an additional input jack,"send” and"return” jacks to create an effects loop for connecting electronic effects such as compression, reverb, etc.
Kustom bass amp – amp head and speakers, watts RMS, two channels, two 15" speakers, Some amplifiers have a line out jack for connecting the amplifier’s signal to a PA system or recording console or to connect the amplifier to another guitar amp. Players use the line out to connect one guitar amplifier to another amplifier in order to create different tone colors or sound effects.
However, in most styles of rock and blues guitar the line out is not used to connect the guitar amp to a PA system or recording console because the tonal coloration and overdrive from the amplifier and speaker is considered an important part of the amplifier’s sound. In the"amp head” form, the amplifier head is separate from the speakers, and joined to them by speaker cables. The separate amplifier is called an amplifier head, and is commonly placed on top of one or more loudspeaker enclosures.
A separate amplifier head placed atop a guitar speaker enclosure or guitar speaker cabinet forms an amplifier"stack” or"amp stack”. Amp heads may also have the different types of input and output jacks listed above in the combo section.
Electrical, Electronic and Cybernetic Brand Name Index
What We Think Condition: Used, Very good Original Transformer, footswitch and reverb pan, amp was recently serviced and all caps have been replaced. Original speaker replaced with Celestion A type. Want More Great Content? Manufacturer’s Description from Other In , a design engineer by the name of Jess Oliver created a combo amplifier with a chasis that could be inverted and tucked inside the speaker enclosure, protecting the inner workings and increasing the portability of the the amp.
Each amp offers legacy Ampeg preamps and tone stack circuits for an extensive choice of classic Ampeg tone. BA series amps feature perfectly matched Ampeg Custom speakers, designed specifically to get the most out of your BA combo/5(78).
If you’re not familiar with my site, it’s simple, and you’ll love it or hate it: It’s not a fancy site but it remains unchanged since ’98 so I figure,"if it ain’t broke – don’t fix it. Just click on any underlined text and it should open a picture; if you move your cursor over the pic and there’s a magnifying glass displayed instead of your cursor, click the pic and it will expand it to larger size.
The latest and greatest reissue of the original early 50s black guard Tele, replacing the American Vintage ‘ This one has all the black guard era vibe with period correct hardware and pickups, but adds modern features such as pickup switching and the modern 9. It features a solid ash body with gloss nitrocellulose finish, 21 tall vintage fret neck that’s also nitro-finished, chunky ’52 U-shaped maple neck with 9. The Tele has always been the workhorse guitar in the Fender stable and none more than the butterscotch black guard Strat.
It has all the twang you know and love in a Tele and this 9. It is set up with very low action and sounds very alive, even when unplugged. Includes Fender black case and certificate. These guitars already have a great vintage vibe with an authentic looking two-tone sunburst gloss finish, parchment parts, and tinted neck, so the vintage logo is icing on the cake.
Ampeg fridge for sale
Volume, Treble, Bass; Normal channel: Volume, Treble, Bass; shared: All used four A output tubes to generate a conservatively rated watts, which can often top watts downhill with a good tailwind… which is to say, when cranked. And though we say this was a rock-intended amp, it was rock as Ampeg intended it — bold, punchy, clear, and ungodly loud. Who could use such an amp today? Perhaps fewer players than back in the day, but, back when it was introduced, it proved to be exactly what plenty of touring pros required, most notably the Rolling Stones.
Ampeg Portaflex In the late s Jess Oliver invented  a combo amplifier with a chassis that could be inverted and tucked inside the speaker enclosure to protect the vacuum tubes. This combo bass amp was introduced in as the Portaflex , and remained a popular choice through the s. Characteristics[ edit ] A particular char[ edit ]ic of Ampeg amplifiers in the s is that they were designed to be used for jazz and other types of music where distortion was not sought after — as Everett Hull had a major contempt for rock and roll music, and his hope that it being merely a “passing fancy” never materializing, had merely manifested his dismissive attitude towards the genre.
The closest they came to a rock’n roll endorser at one point, was by way of Joe Long , a left-handed bass player of the Four Seasons , who played the company’s Horizontal Bass. This was further compounded by the one chief competitor Hull disliked the most; Fender , as they continually bested Ampeg in overall sales. Hull would grudgingly acknowledge rock’n roll music, via advertising copy for Ampeg’s “Supercombo” bass amp, introduced in
: Ampeg BAv2 1 x Inch Combo Bass Amplifier: Musical Instruments
In trying to determine the approximate dates of manufacture I’ve come across a number of interesting details. First, it seems when anyone asks for information on dates for Marshall cabinets, they are directed to the date codes on the speakers. This works until we find a cabinet that does not have original or any speakers.
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Chris’ Guitars, on sale, best price on the web
This information original was found on The Unofficial Ampeg Page http: I pulled this information from Google’s cache of the site. It has a note at the top of the page that they were reprinting with permission from the authors of Ampeg: If anyone feels this page should be taken down, please feel free to contact me. Ampegs can be divided into six distinct groups for dating purposes: Each group uses a unique serialization scheme that can be used to assist in dating the amps, but in many cases, it is the features and characteristics of the amps that determine the year of manufacture.
Jul 30, · in the ampeg behind the sound book there is a section on dating ampeg’s and it says that the blue control panel graphics were used from I’v never seen a bluelined V4, only SVT’s. Im not sure but I always thought all the V series amps used black lined controls.
I couldn’t find much info on it after doing some quick searching It was made by SLM, so that puts in right into the mid 80’s as far as dating it goes. The SVT was another story. It was nice, but certainly not for the price they’re trying to get. It sounded pretty good, but I wasn’t able to really crank it up in the store. An orange light under the grill cloth came on and stayed on as I was playing it too I’m not positive, but I think I might have blown one of the speakers in the cab too.
The guy said they’ve had this thing since the store opened, 6 years ago. I wonder why it’s still there? I have no interest in the cab nor do I need it at all. I’m not historian, but I certainly do my homework. This thing is less than perfect and needs some work. I had him work on a tube amp of mine a few years back. I brought it back and fourth 4 different times to them, wasted 2 months of my time