I had fond memories of my previous trip but I must say this time I was very disappointed. The previous visit many years ago existed of a tour around the pottery works, watching pottery making live in action and seeing a video in a theatre. This time, the attraction seemed nothing more than a glorified factory outlet shop. No tour, no live pottery, nothing. I am sorry to hear that you were disappointed. The set up here has changed since your previous visit as sadly the Poole Pottery factory on the site closed seven years ago in December , however the shop re-opened soon afterwards and the working studio was created in June The shop houses the largest collection of Poole Pottery in the country and includes current ranges, second quality pieces, as well as collectable items of discontinued ceramic ranges.
A guide to Poole Pottery & Poole Pottery Marks
Your guide to antique pottery marks, porcelain marks and china marks Dating Wade Marks Keys to Dating Wade pottery and identifying Wade Marks Wade is historically famous for the introduction of the very collectible Wade Whimsies and the, almost as well known but not as popular today, Wade Gurgle Jugs and Decanters. His father was a potters thrower and later became a manager. The original Wade company manufactured ceramic products for the cotton industry as well as porcelain figures and groups.
In George Wade purchased the ceramics business of Henry Hallen of Wellington Street, Burslem and combined both businesses to form a new ceramics manufactory he called the Manchester Pottery.
Ceramics, Pottery and China. Hamilton and Co stock a range of Ceramics, Pottery and China from the s, s and s. We only purchase items which are in mint condition, are of interesting design and of good quality.
Posted on by poolemuseumsociety The number of information plaques in Poole has multiplied recently, giving our next speaker, Steve Roberts, quite a challenge in tackling the subject at his talk on 15th February. The latest crop of bright blue discs adds to the many types and styles of plaques already in existence. In fact the more you look, the more you find. They are mounted on walls and buildings, set into the pavement, on posts and plinths, indoors and outdoors.
Some are made of stone, some of metal, ceramic tiles, wood or plastic. A purist might wish that they were all of one style but I think that would be a shame because the style of the plaque says as much about the time they were put up as the subject they are commemorating. Some are consciously antique in style, like the one recording the visit of Charles II in or the one on the old library.
The Overlord plaque on the Custom House is classic and restrained while the plaque further down the Quay also commemorating D-Day is abstract and artistic. Wording on the signs is also diverse and interesting. One plaque is in Latin and another quotes from a document dating from Some express themselves in a way we would not choose today:
POOLE POTTERY ‘S Studio Mark 8″ Dish
The borough constituency of Poole has existed since Previously the town had been a parliamentary borough , electing two members of parliament from until when representation was reduced to one member. In the constituency was abolished altogether and absorbed into the East Dorset constituency until its reintroduction in Robert Syms Conservative has been the Member of Parliament since
Jan 29, · A medium sized plaque of Poole Pottery ceramic tiles ” Welcome to Poole “used to hang beneath them at a lower level- that has gone, it’s 3 picture hooks are still in place and the wall is stained from lack of sunlight where it used to hang.
It maintains a small fishing fleet, serving the local market. An important and prosperous port in the 16th century, Aldeburgh retains some Tudor buildings, including the timber-framed Moot Hall, built in about , which is now a museum. Once near the centre of the town, the hall presently stands only a short distance from the sea because the shoreline has gradually been eroded.
She was elected mayor of Aldeburgh in , becoming the first woman mayor in Britain. It is a seabird sanctuary, home to the third largest gannetry in the world and the largest in Britain. Bass Rock’s castle, which dates from the 16th century, was converted by the English government after into a state prison in which several eminent Covenanters were confined. St Baldred’s chapel dates from the 15th century. The rock can be visited on summer excursions from North Berwick.
Baggy Point Baggy Point at Morte near Woolacombe stands proudly on the spectacular, rugged and accessible Atlantic coast of North Devon with its rocky headlands, isolated coves and large sandy beaches. Picnickers are welcome in the grassy fields surrounding the car park. A path leads to the Point with amazing views on both sides and, on a clear day, as far as the Welsh coast.
The South West Coast Path passes through the entire property, and there is an extensive network of paths covering the surrounding area. A slipway leads down to the beach where swimming and surfing are popular all year round. On Wednesdays in July and August, tractor rides give the young and old alike a different perspective on this long stretch of sandy beach.
Collecting Poole Pottery by Francis Joseph Publications
How to Date Austrian Pottery By Linda Richard ; Updated April 12, Austrian pottery dating incorporates the history of the region, since involvement in wars caused name changes after the formation of new countries like Czechoslovakia. History controls the marks on pottery made for Austrian export, and that includes United States history and import regulations.
Combined, these two historical timelines will help you date Austrian pottery. Look for a mark on the bottom of the pottery to identify Austrian origin. These were made for export to English-speaking countries. Check for factory identification.
I recently picked up a hideous cup and saucer dating from the s and was astounded to find the Poole stamp on the item! B ut let us go back to , The British Empire was at its height, William Ewart Gladstone was the Prime Minister and a certain Jesse Carter purchased the Architectural Pottery on the East Quay in Poole.
From a collectors point of view this is a good thing. Genuine rarities do not necessarily command high values and the enthusiastic collector can still turn up patterns and designs which have not previously been recorded. Well done to the proprietors of “Rhubarb Home” for recognising and exposing this fine tile panel which graced the retail premises of ‘Fishy Davies’ in the early ‘s. Above – a recent and spectacular addition to the section on Carters Tiles. Commissions for private houses were rare.
This is a new micro pub that is opening in the old Lankester and Crooks butcher unit. I have been doing some tile restoration there and had a small patch-up to do on the panel but it is intact, in good condition and most definitely Carters. I have photos which I am happy to send, if they might be desired for inclusion on the website.
Retirement Flats in Poole
Beside the factory stamp, the other marks to look out for are the pattern code, usually two letters but sometimes one or three ; the shape number , either inscribed, impressed or printed; and the decorators mark , sometimes initials but just as often a symbol. For example, the three pots below can be identified from their bases as WK pattern, shape number is unclear but its , painted by Winifred Rose , V pattern, shape , with decorator o Myrtle Bond , and E for elaborate CS pattern, shape , painted by A Betty Gooby.
Poole Pottery can be dated by looking both at the factory mark at the base, as this changed over time, as well as looking at the monogram used by the individual decorator, for whom there are records of when they worked at the factory. Before looking at either of these however there are other clues that can be used to date Poole Pottery. Traditional The colour of the earthenware clay, or body, of the earlier traditional pots is one indicator of age. Pots made from Red terracotta coloured earthenware were made prior to
Now based predominantly in Staffordshire, Poole Pottery production continues today. Range. Established in , the Carter Company was primarily concerned with the manufacture of tiling and architectural products. It was Jesse Carter’s son Owen who developed the art pottery.
Welcome to my Poole Pottery website. If you’re already a Poole fan, then hopefully you’ll enjoy what you see and keep coming back, as I will keep updating. And if you don’t yet know much about Poole Pottery, then I hope the site will spark an interest in this fabulous stuff. New creative impetus came when silversmith Harold Stabler, sculptor Phoebe Stabler and potters John and Truda Adams joined the factory and in , and a new company was formed — Carter, Stabler and Adams Ltd.
Art pottery was made at Poole throughout the whole of the 20th Century. It was influenced early on by the Arts and Crafts Movement and later by artists associated with the Omega Workshop. It stayed true more or less to its hand-crafted ethos, as individual designers and potters came and went, each leaving their own unique mark, and taking the pottery forward, through the Jazz Modern era, to the post-war “New Look”, and on into the Swinging Sixties.
And to keep my postings as upto date as possible, I’ve also started a Poole Pottery blog where you can see all my latest finds. Finally, Feedback is always welcome, so if you like what you’ve seen and want make a comment, or want to read what other visitors have to say, have a look at my Guest Book , and thank you to everyone who’s left comments so far. The pots mostly come from eBay but a few are from fairs and antique centers too.
A blog dedicated to collectors of Poole Pottery and other antiques and collectables. I have to admit to quite liking this show, even though it seems to depend on the experts beating dealers down to way below cost price. Why do the dealers always end up saying “oh alright then”? It just proves there are three prices in this world – retail price, wholesale price and TV price!
Meetups in Poole These are just some of the different kinds of Meetup groups you can find near Poole. Sign me up!
Why not pay a visit? We are located on the top floor near the desk. Collecting Collecting There has been such a wide variety of Poole designs over the years that almost anyone can find something that appeals to them, whether you have previously been interested in pottery or not. You may choose to collect small vases, large vases, plates, jugs, bowls, lamps, animal figures or even tableware.
Whatever your preference Poole is easy to start collecting as there is always a range of attractive, but relatively inexpensive, items available from all the main categories. As you progress you can start to hunt down those rarer and more obscure pieces, and begin to pay a bit more for the showpiece items in your collection.
Rob’s Poole Pottery Blog:
He also headed the subscription list to equip the new building, with his mother, Lady Charlotte, also contributing. A print and text about Lord Wimborne. Sir Ivor Bertie Guest was born on 29 August , one of ten children, he succeeded to the title Lord Wimborne in His father was the first Baron Wimborne, an iron master from Dowlais.
During the late 19th century the Manor of Canford changed hands to the Guest family. Sir Charles Barry the architect who designed the Houses of Parliament was commissioned to refashion the new family home.
The above images show typical Poole Pottery marks including: Carter Stabler Adams Mark; Poole England Mark; Poole Dolphin Mark; I have a personal collection of Poole Pottery and I have several fairly comprehensive galleries of pottery dating from the early s through the s.
However, the Poole Pottery, as it became known, is now remembered as the maker of instantly recognisable Art Deco ware and the striking wares of the s which marked it among the most innovative of British post-War industrial potteries. Now based predominantly in Staffordshire, Poole Pottery production continues today. Range Established in , the Carter Company was primarily concerned with the manufacture of tiling and architectural products.
It was Jesse Carter’s son Owen who developed the art pottery. By the end of the First World War this was making a wide range of decorative wares under design head James Radley Young and had established important links with the Omega Workshops. Two years after Owen Carter died, his brother Charles formed the partnership with the designer and silversmith Harold Stabler and the Stoke-on-Trent potter John Adams in that ushered in Poole’s heyday.
It was during the Carter, Stabler and Adams period that some of the most memorable Poole wares were produced. Much of the traditional range was based on the work of the chief designer in the s, Truda Carter. These red earthenwares, covered in a white slip and then dipped in a semi-matt clear glaze before decoration in a variety of floral and geometric patterns, drew high acclaim at the time and were retailed through leading stores, including Liberty’s and Heals in London.
The Second World War caused a complete rethink at many of Britain’s potteries.
Marks On Fine Satsuma Plate
Figurine A figurine a diminutive form of the word figure is a statuette that represents a human, deity , mythical creature, or animal. Figurines may be realistic or iconic , depending on the skill and intention of the creator. The earliest were made of stone or clay. In ancient Greece, many figurines were made from terracotta see Greek terracotta figurines. Modern versions are made of ceramic, metal, glass, wood and plastic.
Figurines and miniatures are sometimes used in board games , such as chess , and tabletop role playing games.
Shop English pottery at 1stdibs, the leading resource for antique and modern serveware, ceramics, silver and glass made in England. Global shipping available.
During the eighteenth century regular consignments of the finest Dorset white ball clay were shipped from the port, much of it destined for the Staffordshire Potteries. Larger and more established businesses either grew from what had once been a small practice, such as a country pottery, or in response to demand. The latter is the case for the Poole Pottery as we know it today, the demand during the mid to late nineteenth century for architectural and garden ceramics having moved on from merely being the domestic requirements of the local population.
How Jesse Carter and the story of the Poole Pottery came about is largely due to a business diversification and, as is often the case, fortuitous knowledge. Jesse Carter was the part owner of a flourishing ironmonger and builders’ merchant’s business based in Weybridge, Surrey, due West of London. It would appear that Jesse Carter probably knew of the T. Whether at that early stage Jesse knew that James Walker was a spiritual brother, both devoted members of the Plymouth Brethren is hard to say.
Whatever the case, Jesse Carter most certainly would have known of the failing circumstances of Walker’s business, as a consequence of purchases for the Weybridge business, and by two notices of sale by auction of the premises and stock being announced, the first on 11th January, , followed by another in By , when Walker was declared bankrupt, Jesse would have had plenty of time to consider the viability of taking on the business. Whatever his reasons, Jesse became the new owner of the Patent Encaustic and Mosaic Ornamental Brick and Tile Manufactory founded in the early s, shortly after Walker had been declared bankrupt, and moved his family to Percy House, 20 Market Place, Poole.
One of Jesse Carter’s first actions was to retain the services of James Walker to run the pottery, as Jesse had little knowledge of technical processes required to run the pottery. However, by discrepancies were found in the accounts and Walker was dismissed.